Ectoplasm addresses the body as a residual presence, suspended between visibility and disappearance. Through painting, the figure is reduced to a trace: unstable, permeable, and resistant to fixed definition.
Rather than representing a body, the image operates as a site of emergence and withdrawal. Forms appear incomplete, shifting, or partially dissolved, holding the tension between apparition and loss. Identity is no longer articulated through coherence, but through states of passage and instability.
In Ectoplasm, painting becomes a field in which presence persists without solidity — a threshold where the figure survives as a remainder, neither fully embodied nor entirely absent.
