Window of the week

Ho deciso di sottolineare il bianco e nero nella mia esposizione di questi giorni dando risalto ai miei ultimi lavori astratti. Sono lavori concettuali ed espressivi che stimolano riflessioni intime. L’utilizzo della scrittura, del collage, della pittura ad olio e acrilica, e formano un ponte tra il pensiero e l’emozione che voglio esprimere.

These days, for my window, I chose some abstract paintings in black and white. They are conceptual and expressive artworks that inspire intimate thoughts. Using media as the writing, the collage, the oil and acrylic painting I would express my feelings and my emotions.

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Ho pensato a questa soluzione per dividere lo spazio nel mio studio. La parte anteriore è dedicata all’esposizione, mentre il mio atelier è situato oltre il sipario creato con il nylon.😊

My Studio – I found a nice solution to separate my big room: the front part is dedicated to the exhibition, beyond the nylon curtains there’s my atelier. 😊

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This series of works was inspired me by some poems of Paul Polansky. His work took me very deeply, and I was committed to react to his feeling about the death. I would contribute with my personal view seizing the opportunity to reflect about the big questions of the human being. I put all my reflections in writing on the canvas together with paper and fabric elements that creating intersections I combined with my drawn and painted layers. It was a liberator and conceptual work and I loved putting my poems in the painting.
This artwork showed in March 2019 at:
Qu.bi Gallery Vicenza – Italy – Collective art exhibition for the presentation of the last plaquette limited edition by Amaryllis-Caosfera “Waiting to die – Aspettando la morte”, poems by Paul Polansky, cover by Leonardo Marenghi, curated by Valeria Bertesina.

my artworks showing at the fair in London, I was so exited!